I recently worked with Richard Slee on his current show, Camp Futility, at Studio Voltaire in London. A number of his pieces used pre-existing saw blades, the task was to unify them as a collection of individual objects through the way they were displayed. Drawing on pit-head-structures, trestle bridges and some steps at Niagara Falls the resulting supports also suggest mining sluices. All in keeping with the visual and thematic language of the show as a whole.